The temple was
rebuilt in the Tang Dynasty (618-907), and was bestowed the name Xiangguo Temple by Emperor Ruizong. The temple
reached its heyday in the Song Dynasty (960-1279). It became an international
Buddhism center, attracting many foreign envoys and great monks. It contributed
a lot to the cultural exchanges between China and other countries.
Like most of the
Buddhist temples in China, the main axis consists of an arch gate, Devajara
Hall (Hall of Heavenly Kings), Mahavira Hall (Daxiong Baodian), an octagonal
glazed hall (Arhat Hall) and the Sutra-Keeping Hall. Side rooms flank the axis
on each side. The whole complex features Qing-style architecture.
Stepping through
the gate, you will first see the Bell Tower and Drum
Tower as in most Buddhist
temples. The bell hanging here weighs five tons and is 2.23 meters (7.3 feet)
tall. Its grazioso sound echoes all over the city, especially in winter.
Xiangguo Shuang Zhong (the beautiful sound of the bell on a frosty day) is one
of the Eight Scenes of Bianjing (nowadays Kaifeng ).
Inside Heavenly
Kings Hall sits Maitreya (also called Future Buddha), a stout Buddha with a
broad smile on his face and his breast and paunch exposed to the public. The
Heavenly Kings are respectively standing beside Maitreya with sword, lute, blue
umbrella and silver snake in their hands which represent feng, tiao, yu, shun
(The four Chinese characters used to describe the optimal weather for
agriculture). Behind Maitreya is the statue of a general called Wei Tuo, the
protective god of Buddhism. As the legend goes, after the Nirvana of Sakyamuni,
his relics were stolen by the devils. It was Wei Tuo who battled the devils and
recovered the relics. He was then revered as Wei Tuo Buddha and worshiped in
most Buddhist temples.
The most
remarkable structure in the temple is the Arhat Hall, which is also called
Octagonal Glazed Hall. Inside, the towering Octagonal Pavilion houses a wooden
statue of Avalokitesvara Bodhisattva, which was carved from the bole of a huge
gingko tree during the reign of Emperor Qianlong in the Qing Dynasty. The four
sides of the statue are of the same sculpt. On each side, there are six big
hands and three to four layers of small fanlike hands, with an eye on each
palm. The number of the hands totals 1,048, and likewise the number of the
eyes. The statue highly embodies the fine works of the Qing Dynasty. Don't you
think it is amazing?
In addition, the
temple holds annual activities like lantern exhibitions on the Lantern
Festival, chrysanthemum exhibitions and the great prayer festival of water and
land. On the occasion, pilgrims from home and abroad will assemble here to
celebrate the holidays.
For more information, please visit http://top-chinatour.com
For more information, please visit http://top-chinatour.com




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